20231210

MPDL  2016 Tokyo|Yerevan|Moscow

Jun Kawasaki, Music and Poetic Drama Laboratory

The end does not end Конец – еще не конец


with 
Ayumi Paul (German),  Sergey Letov (Russia),  Anya Tchaykovskaya (Ukraine),  Vyacheslav Gayvoronsky (Russia),  Alina Mikhaylova (Russia)


Jun Kawasaki, Music and Poetic Drama Laboratory, sampler Nov. 2016 from miyuki hideto on Vimeo.

20230831

Cloud funding starts . till 8 October 2016




     Unique Nomadic Asian Opera and Dance from Japan
Jun Kawasaki, Music and Poetic Drama Laboratory, Armenia and Russia Tour October 2016


Cloud funding starts . till 8 October 2016

Please check it out !
I'll be happy if you become interested inour project . 

https://www.indiegogo.com/projects/unique-nomadic-asian-opera-and-dance-from-japan/x/14770329#/

Schedule of Armenia & Russia tour is following.

――――

“The end does not end” Armenia and Russia Tour 2016

6 October, 2016

HIGH FEST International Performing Arts Festival
@Hamazgayin State Theatre, Yerevan, Armenia

Master class workshop Date and venue is under adjustment.

10 October, 2016

@The National Centre for Contemporary Arts (NCCA)
Moscow, Russia

11 and 12 October

Long Arms Festival
@DOM Cultural Centre, Moscow, Russia

12 October
with
Anya Tchaykovskaya (Vo)
Sergey Klevensky (Cl, Traditional reeds)
Alina Mikhaylova (Dance)

Director, Composer: Jun Kawasaki

Aya (Butoh dance)
Hiroyo Miura (Actress, Dancer)
Akira Yoshimatsu (Actor, voice, Japanese traditional Noh player)
Kentaro Tsuda (Actor, Asian and noise vocalisation)
Satoshi Tsuboi (Actor, Singer)
Aki Ozawa (Guitar)
Seika Miki (Vocal)
Jun Kawasaki(doublebass)
staff
Kiri Shirosawa (Stage manager)
Hideto Miyuki (Assistant director, Video)

20221027

The END DOSE NOT END and ORPHANS AND STARS Songs of Paul Celan 2015 Directed and Composed by Jun Kawasaki (Music poetic dorama laboratory)

The END DOSE NOT END , ORPHANS AND STARS  Songs of Paul Celan 2015 and with Ayumi Paul 2016

  Directed and Composed by Jun Kawasaki (Music poetic drama laboratory)


The end dose not end
ORPHANS AND STARS
The end dose not end 
(premier 2015 oct at  Tokyo Theater X for  Tadeusz Kantor  100th Anniversary)

 Directed and Composed by Jun Kawasaki (Music poetic drama laboratory)



Ghosts are singing about hunting and nomadic people’s 20th century. That tribe has lived in Siberia along right side of Arugn river. They call themselves “Evenki”.
Other Ghosts who had died at Sonezaki river are going along the river. Can they arrive at the sea? Or can they not arrive at anywhere? This plot is based on Japanese traditional Ningyo joruri play Shinjyu Ten-no-amijima. It is a famous story of a lovers’ suicide that was written by Chikamatsu Monzaemon in the Edo period. 
This fictitious North East Asia folk-opera was composed and directed by Jun Kawasaki.which were  realized by singer ,dancer,actor and traditional Japanese puppet operator.
 “Be counter to songs, but to songs(Uta to gyaku ni Uta ni)”. It is the words that Japanese poet Touzaburou Ono left. The verbal activity begins with conflict with impossibility of making songs. This is a reactionary route to opera.

 Aki Ozawa (g), Shinichiro Kanda (syn ,pf)Jun Kawasaki (cb)Seika Miki(vocal)

Aya(Butoh)Hiroyo Miura(dance)Satomi Akutsu(dance)Nagako Tomaru(dance)
Sakae Yuki(puppet operator)

sung and acted by
Kentaro Tsuda Junko Kowashi Akira Yoshimatsu Xeiici Ai  Yurie Inouchi Kanako Shiratori
Satoshi Tsuboi Takashi Mukai Ryota Ono  

supported by
Hideto Miyuki(film)Daisuke Mikome(photo) Kentaro Nagatomo

Music and Poetic Drama Laboratory with Ayumi Paul (digest)2016   

from Ayumi Paul violin recital and sound performance
8 May, 2016 at Theater X, Tokyo

Directed and Composed by
Jun Kawasaki (Music and Poetic Drama Laboratory)

Ayumi Paul, violin
Seika Miki, vocal
Jun Kawasaki, double bass
Aya, butoh dance
Hiroyo Miura, dance

Hideto Miyuki, camera
photo by Bozzo (http://www.bozzo.jp/)


Hiroyo Miura  Akira Yoshimatsu  Aya

Sakae Yuuki(Sakse Ebisawa)
Seika Miki
Hiroyo Miura
Aya                              HiroyoMiura
Satomi Akutsu

Satoshi Tsuboi Kanako Shiratori Yurie Inouchi Takashi Mukai Ryota Ono

Yurie Inouchi 
Junko Kowashi
Shinichiro Kanda


Xeiici Ai
Kentaro Tsuda   Xeiici Ai      Aya
Nagako Tomaru         Satomi Akutsu
Aki Ozawa







Jun Kawasaki(director and composer) 









ORPHANS AND STARS Songs of Paul Celan
(premier 2015 June  at  Tokyo Theater X for  Tadeusz Kantor  100th Anniversary )
 Directed and Composed by Jun Kawasaki(Music poetic dorama laboratory) 





In this piece, musicians and actors perform 20 songs. Original texts of each song are mainly from Jewish poet Paul Celan’s pieces and Bertolt Brecht’s pieces. Actors read their pieces, to the audience, to themselves, and to elsewhere.    

 “There are still songs to sing beyond humankind”(Paul Celan).

        Ayako Kosaka (conductor ,mezzo soprano)
       Junichi Aoki (dramaturg)
music
 Seika Miki (vo), Naoko Aoki (pf), Keiko Komori (cl), Aki Ozawa (g), Jun Kawasaki (cb)

Aya(Butoh)Hiroyo Miura(dance)
Actor
Kentaro Tsuda  Mariko Muraoka  Junko Kowashi  Kanako Shiratori  Mariko Tobiyama 
Satoshi Tsuboi Yurie Inouchi Takakashi Mukai  Ryota Ono Mizore Yamada Junichi Aoki 
Hikari Tuchiya

supported by
Hideto Miyuki(film)Daisuke Mikome(photo) Kentaro Nsgatomo

                                                                    photo by Mikomex
Ayako Kosaka (conductor Mezzo Soprano)


Mariko Tobiyama   Ryota Ono Takashi Mukai  
Naoko Aoki(piano)

Aki Ozawa(guitar)
Kentaro Tsuda
Hiroyo Miura


Aya     Hiroyo Miura    Seika Miki(vocal)

Keiko Komori(clarinet)  Aya
youtube







20201221

2013 contrabass solo at kyoto for Senrei Nishikawa(Japanese traditional dancer )

contrabass solo at kyoto for Senrei Nishikawa(Japanese traditional dancer )

video

for Senrei Nishikawa Profile   Dancer, Choreographer, Artistic Director
Jun Kawasaki made music for her dance pieces based on Japanese traditional dance.

20201010







    Jun  Kawasaki



@Tohoku  Japan by Micari






(Composer  performance director contrabass player   improviser)
 compact disc
http://www.cdbaby.com/cd/junkawasaki

Facebook
https://www.facebook.com/jun.kawasaki.779

A Japanese contrabass player and composer, Kawasaki is highly esteemed especially in his improvisational performance which is seemingly scooped out of his inner self.

Born in Tokyo ,1975, he studied contrabass under Tetsu Saito and Motoharu Yoshizawa while in university. He has performed with many distinguished musicians in and out of Japan. 

Kawasaki has also composed and performed extensively for theater ,dance and Buto  about 50 pieces. His major works include music for Camille Claudel,Kenji Miyazawa and Jean-Jacques Rousseau(a dance piece conceived and choreographed by Senrei Nishikawa, a traditional Japanese dancer), About 1hr. 20min. on Oct. 1 &2 in Brecht Festival (Japanese theatre company, Port B), Hamlet Machine (Heiner Müller) by Adults and Children (produced by SPAC Shizuoka Performing Arts Center in Japan), Madam Edwarda( George Bataille by Japanese traditional Marionette Theater Edo Ito Ayatsuri) .He is also a music director for a unique theatre company, Futsu Gekijo (Ordinaly theater) in Tokyo. He has made many theater  musics   especially about  Bertort Brecht,Samuel Becket and Garcia Lorca  . He started  Brecht/Lorca  project since 2012. 
by Mikomex


2012,13 Kawasaki collaborated with Turkish choreographer Aydin Teker , and made "db-ll-bass — sound, body, and instrument" db-ll-bass is an attempt to construct a new creative sphere of performance, by reexamining the historical relationship between the body and a musical instrument — the contrabass — and extending both performance possibilities to the other.  The piece was premiered in Istanbul, Turkey( Akbank Jazz festival), in October 2012. 2013 was played in Performing Arts Meeting in Yokohama.

@Moscow
With a deep interest in words,  2010, he made and directed a poetry performance piece  "suna no butai" in Moscow with Vradimir Volkov(contrabass) and some musician and dancer .And in Tokyo,he made new theater piece "into sogohmon sogohmonian(about Russian poet Osip Mandelstam and Armenian composer Komitas Vardaped)" with   Sergey Letov, the most important Russian avant-garde jazz saxophone player.


@ work shop
Kawasaki has conducted for many years a series of seminars ,work shops and concerts involving poetry readings and music. He is teaching in university performance as a director to make theatrical  pieces about Japanese poets and poets of Brecht and so on. 
Apart from solo activities, Kawasaki has participated in different groups in Japan, such as Maria Kannon (a legendary hardcore progressive rock group), experimental music group "DATA"

As  a improviser ,collaborated with Tristan Honsinger, Sergey Letov, Saadet Türköz, Frank Grotowski, Tatusya Nakatani ,Ab Baars, Yoshisaburo Toyozumi,EXIAS-J (a well-known experimental improvisational group). and so on.

Kawasaki has performed in many countries of the world and music and dance festival, including the US, Russia, France, Poland, Ukraine and Lithuania. He was also a member of Sound Migration, a collaborative music piece between Japan and Turkey (Şevket Akıncı and Saadet Türköz from Turkey) which was premiered in Istanbul at the International Contemporary Dance & Performance Festival (iDANS) in 2010 then toured in Egypt, Hungry, and Japan.

He has released solo CDs: Jun Kawasaki: "Left Bank, Right Bank" and "biologia(2013)"

20171028

youtube Jun kawasaki


contrabass solo for Senrei Nishikawa (Japanese traditional dancer)

Performed by Jun Kawasaki at "Senrei Mai Sansou Senrei's 
Mountain Studio" Aug 27 2013 Kyoto Recording & Video Editing by Kazuhiro Kasuya



"db-ll-bass - sound, body, and instrument"

"db-ll-bass" is a highly unique sound-movement piece, by Aydin Teker, a Turkish choreographer, and Jun Kawasaki, a Japanese contrabassist. Pursuing the relationship among the sound, body, and musical instrument., it was performed in Istanbul in October 2012, and Tokyo and Yokohama in February 2013. This is a clip of the performance in Istanbul. For the details of the project, visit the official website: http://db-ll-base.jimdo.com/

"db-ll-bass - sound, body, and instrument" is a project of research and practical collaboration between a choreographer who viewed a body playing music as dance, and a musician who seeked the source of sound and music in his body while playing music. The piece was performed in Istanbul, Turkey, in Oct. 2012, and Yokohama and Tokyo, Japan, in Feb. 2013. This is the record of the performance in Tokyo. For the details of the project, please visit the official website (http://db-ll-base.jimdo.com/).

Concept and choreography: Aydin Teker
Music and performance: Jun Kawasaki
Produced by: Kiki Arts Project, Tokyo (kiki.arts.project@gmail.com)
Official website: http://db-ll-base.jimdo.com/








sound migration  2011@Budapest

Japan-Turkey Contemporary Music Collaboration
Sound Migration

The Japan Foundation will be conducting a project called "Sound Migration" which is a contemporary music collaboration between Japan and Turkey. Four musicians and an actress will be working together in Istanbul, Turkey, in September, to create new pieces, and then in the beginning of October will be performing them in Izmir, Cairo, and Budapest as well as Istanbul. The performance in Istanbul will be held as the opening in the 'Istanbul International Contemporary Dance & Performance Festival (iDANS)'. Furthermore, the performances in Istanbul and Izmir will be a part of the 'Japan Year 2010 in Turkey'.

Coming together from the two countries will be: Kazuki Kunihiro, a Japanese composer; Saadet Türköz, a Kazakh Turkish vocalist; Jun Kawasaki, a Japanese contrabassist; Şevket Akinci, a Turkish improvisational guitarist; and Micari, a Japanese actress. These five persons, all soloists in their own right, provide an extremely intense sound as well physical movement and they use this intensity to construct a world that is something quite unique, which is the reason for their being selected.

Türköz's keen individuality, a blend of Central Asian narrative tradition and jazz improvisation, cannot be without influence from the fact that her parents had fled East Turkistan as refugees and made their way to Turkey over the course of more than ten years. Kawasaki and Akinci, utilizing the high level improvisation techniques, will explore the connection between 'self' and 'other', which will not likely be something reducible in meaning to national differences. Micari, through her unique expressiveness, which rouses the imagination of the audience, will undoubtedly liberate the body movement from its subordination to the music. The creative process of these five individuals from completely differing backgrounds is expected to produce a harmony as well as a deliberately persisting sense of heterogeneity. Standing at the center of this subtle balance and giving it a sense of wholeness is Kunihiro who displays a sure-footed compositional ability in his international theatrical collaborations. It is this harmony together with the diversity of elements that generates the power to create a new music and makes this project something to believe in.

The pieces will be developed for three weeks in Istanbul. The whole work will be comprised of eight musical scenes. The five performers together with these scenes will be allowed to freely 'migrate' through the joint creative process, recurring in altered forms and, in due course, bringing forth an evocative world of sound. It will be an original act of creation that cuts off a slice of 'now,' the present moment, where the migration of peoples is occurring on a global scale.



for dancer (Aya)

primitive Opera   Ryunosuke Akutagawa 

band data

group improvisation Exias- J

for dancer(Saga Kobayashi)






20160821

new CD Jun Kawasaki Unaccompanied Contrabass Solo Music биология  biologia





order  e-mail  kawasaki_jun6@r7.dion.ne.jp


this is hi- resolution sounds(only japanese) but you can hear example!


this is first solo(solo&duo improvisation)

KAWASAKI Jun / Left bank, Right bank(2003)



KAWASAKI Jun / Left bank, Right bank
[EXJP009] \2.500
KAWASAKI Jun (contrabass)
KUNIHIRO Kazuki (poetry reading #12)
KANDA Shin-Ichiro (piano #1)
NAKAMIZO Toshiya (oboe #4 & 7)
KONDO Hideaki (guitar #8) 

The first leader's album of young genius basisit who is the mosttalented pupil of Tetsu Saito. He is also music director and composer of japanese traditional dancerNishikawa Senrei. His sound express lament, anxiety and furious with his unbelievabletechnic crossing over between composing and improvisation. Very sensitive and like seeking after truth.

how to order Left bank, Right bank and other CD(exias-j ,Yoshisaburo Toyozumi and more )